<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title><![CDATA[Mojan Alaiyeh]]></title><description><![CDATA[MojanAlaiyeh]]></description><link>https://www.mojanalaiyeh.com/blog</link><generator>RSS for Node</generator><lastBuildDate>Sat, 29 Aug 2026 18:40:47 GMT</lastBuildDate><atom:link href="https://www.mojanalaiyeh.com/blog-feed.xml" rel="self" type="application/rss+xml"/><item><title><![CDATA[When a “Simple” Music License Becomes a Month-long Process]]></title><description><![CDATA[I want to write about something that happened a few years ago, because I think it’s an experience that a lot of composers can probably relate to, especially if you work in the film/media industry. A little disclaimer: this is just my personal experience. The laws and practices can be different in other countries. A few years ago, I composed music for a commercial that ran on TV, radio, etc. I kept all of my rights and gave the company a license to use the music for a certain period of time....]]></description><link>https://www.mojanalaiyeh.com/post/when-a-simple-music-license-becomes-a-month-long-process</link><guid isPermaLink="false">6a92e112ca5c20d7201ef7c9</guid><category><![CDATA[Composer's Rights]]></category><pubDate>Sat, 29 Aug 2026 14:29:28 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/bd7f77_260f7fc63fde47c2ba607f71d1cfe9ee~mv2.png/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Mojan Alaiyeh</dc:creator></item></channel></rss>